Posted on November 16, 2020December 18, 2020 by karenelkins — Leave a commentRICHARD MERRICK—VENUS BLUEPRINT,SOUND TO GEOMETRY The Venus Blueprint makes the startling case that the orbital resonance pattern of Venus as seen from Earth was central to the development of early science, religion and government. Throughout recorded history, the pentagonal cycle of Venus has been repeatedly associated with the feminine aspect of God from Babylonian Ishtar and Indian Shukra to the Saxon goddess Eastre and Greek Aphrodite. New evidence now suggests that the orbital geometry of Venus, tracing out a rose pentacle between the Sun and Earth, was used as a sacred fertility symbol to design the world’s greatest temples. Revealed here for the first time, this is the story of The Venus Blueprint. The evidence begins with the discovery of a Vedic religious symbol known as Mount Meru etched into the sacristy wall of 15th-century Rosslyn chapel. This one symbol leads to a cascade of revelations suggesting this Roman Catholic collegiate chapel was actually designed to celebrate a much older Vedic cosmology known today as The Birth of Venus. A step-by-step analysis explains how the Blueprint symbol was used to design the chapel’s acoustics, placement of architectural symbols and overall floor plan. More significantly, the same Blueprint pattern is shown to match the Great Pyramid of Giza, the Temple of Jerusalem, the Greek Parthenon, Roman Pantheon and St. Peter’s Basilica in the Vatican, among others.http://www.interferencetheory.com/HarmonicTheory/VenusBlueprint/page10.html Post navigationPrevious post: JON DEPEW—UNIVERSAL TEMPLATE FOR LIFENext post: MICHAEL CLARAGE, Ph.D. —The Living Cosmos Leave a Reply Cancel replyYour email address will not be published. Required fields are marked *Comment Name * Email * Website Save my name, email, and website in this browser for the next time I comment.